Industry Buzz
Studio Daily | GoPro's David Newman on CineForm's Latest Studio Products
GoPro today announced a new version of its CineForm Studio lineup that it hopes will help build a bridge between professionals of all stripes and the enthusiasts who embrace its rugged $300 HD cameras. With the latest revisions, the free version of CineForm Studio adds features like support for H.264 footage from non-GoPro cameras using an MOV or MP4 wrapper (this works in 2D only; 3D is only enabled for GoPro cameras in the free version) and automatic recognition of 3D formats for YouTube uploads. The $299 "Premium" version adds all of the functionality from CineForm's First Light color-correction application plus support for a much wider range of video cameras, including 3D modes, and the $999 "Professional" version expands support for pro stereo rigs by adding independent eye control to the mix. Read more ![]()
SGO | Mistika Announces Native Support for CineForm RAW
SGO announces today that the codec used by Silicon Imaging Cameras, such as the SI-2K, is now supported natively in Mistika, without required conversions, and all in real-time. Industry-leading DI and stereo 3D post system, Mistika, has been developed to support the CineForm RAW digital intermediate codec, a powerful 12-bit codec that natively encodes the RAW Bayer data from the single-sensor on Silicon Imaging cameras. It then preserves the RAW data at the codec level, until the information is "flattened" for final output. Silicon Imaging SI-2K combines a digital cinema class 2048x1152 resolution camera head, and the power of CineForm RAW, to deliver a direct-to-disk raw recording platform with unprecedented image quality and shooting flexibility.
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The Color Mill | 127 Hours Makes Huge Demands in Post Production
Videography Magazine looks at the significant role CineForm played in the post production of Danny Boyle's hit movie, 127 Hours. Read more ![]()
Studio Daily | 127 Hours: Digital Workflow in the Desert
Studio Daily looks at the role CineForm played in Danny Boyle's newest hit film, 127 Hours Read more ![]()
Broadcast UK | Neo 3D: Merton Studios UK Gets an Overhauld
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TV Technology Magazine | 3D for the Rest of Us, TV Technology
TV Technology's Jay Ankeney interviews Randall Dark about his experience with Neo 3D. Read more ![]()
Millimeter Magazine | 3D on the Cheap, Millimeter Magazine
Jan Ozer of Millimeter Magazine takes an in-depth look at the 3D post production workflow, featuring Neo 3D and First Light. Read more ![]()
TV Technology | TV Tech: Randall Dark and Neo 3D Continued
Randall Dark continues his discussion of his newest 3D production, "3 Cities in 3D" and talks about the role of Neo 3D on the post workflow. Read more ![]()
Adobe TV | Adobe TV 3D for CS5 Tutorial, Featuring Neo 3D
Dave Helmly from Adobe has developed an in-depth one hour tutorial for creating 3D content in CS5. Neo 3D is featured throughout the tutorial. Read more ![]()
DV.com | 3 Cities in 3 Days with the 3DA1 and Neo3D
Cinematography innovator Randall Dark discusses his new 3D documentary 3 Cities in 3 Days, the new Panasonic AG-3DA1 3D camcorder, and CineForm Neo3D. Read more ![]()
Film & Video | Gone Phishin' with CineForm Neo3D
How Music-Video Vet Don Wilson Managed a Stereo Workflow for Final Cut Pro Read more ![]()
FreshDV | FreshDV Interview with David Newman
FreshDV's speaks with CineForm's David Newman on the state of 3D production and Neo 3D. Read more ![]()
www.fxguide.com | fxguidetv: NAB show #2, Cineform, Mocha, Alexa
In our second episode covering NAB 2010 (#80) we look at Cineform, the latest release of Mocha and we get details on Arri's latest offering for digital cinematography, Alexa. Read more ![]()
www.CreativeCOW.net | AJA Teams with CineForm to Enable True Stereo 3D Output from Final Cut Pro, Premiere Pro Timelines via Neo3D and KONA 3
AJA Video Systems, a leading manufacturer of professional video interface and conversion solutions, has collaborated with workflow solution developer CineForm to provide Apple Final Cut Pro, Adobe Premiere and other Mac and Windows-based NLE and effects software users with a variety of unique ways to output stereoscopic 3D material using the AJA KONA 3 video capture card through CineForm's Neo3D software. Read more ![]()
http://blog.jayfriesen.com | Photo: iPad Ctrl of Cineform First Light
This is a photo of the iPad Ctrl of Cineform First Light Read more ![]()
www.2-pop.com | CineForm Launches Neo3D V5 with Support for Adobe CS5 at NAB 2010
Cineform extends powerful 3D production capabilities across its Neo Family of workflow solutions. Read more ![]()
www.youthinks.com | CineForm Launches Neo3D V5 With Support for Adobe CS5 at NAB 2010; Extends Powerful 3D Production Capabilities Across Its Neo Family of Workflow Solutions
CineForm, Inc. announced today that it is escalating development of its award-winning 3D post production workflow technologies and extending key 3D functionality across its entire Neo family of solutions. In its booth #SL10323 at NAB 2010 in Las Vegas next week, CineForm will demonstrate new versions of NeoHD and Neo4K that now include many of the 3D capabilities so popular in its professional Neo3D application. Read more ![]()
TV Technology | Under the Radar at The NAB Show
This will be my 25th NAB, and I am as excited as a teenager about it. For editors, there is always something new to be seen at the big show but unless you spend as much time on the phone talking with post-production exhibitors as I do, there are some highlights that may have flown under your radar screen. Read more ![]()
Digital Video | NAB Show 2010 Company Profiles
CineForm will show refinements to its Neo3D technology first seen last year at NAB. Look for 3D clips from movies produced this past year using Neo3D technology. With technology partners AJA, Panasonic and Nvidia, CineForm will be showing its solutions not only in its own booth but also in those of its partners. Read more ![]()
Mac Video | 16Digital SR Mag from P+S TECHNIK for ARRI 16SR Cameras is in Field Testing Phase
This year P+S TECHNIK takes a great leap forward in the digital revolution: The 16Digital SR Mag is going to bridge the gap between both the film and digital worlds. Read more ![]()
Vimeo | NAB '10 - Gradiest for Cineform First Light
Ever since Stu Maschwitz first published a mock-up of a virtual iPad-based trackball color correction interface, the net has been a buzz. I've received a ton of email, asking when something like this will be available. Well, it may be sooner than you think! Read more ![]()
Wired | Top Ten Companies to Watch for in 2010
What makes a company wired? We start by looking for the basics: strategic vision, global reach, killer technology. But that's not enough. To land a spot on our annual Wired 40 list, a business also needs the X-factor - a hunger
for new ideas and an impatience to put them into practice. Read more ![]()
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